http://www.lindseyclarkryan.com/kayak-angst daily 0.75 2019-03-02 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200400675-QCYEQ05G82QZLLZGJ14Z/Kayak+01.jpg Kayak Angst - Kayak Angst Aluminum plate etching Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200400675-QCYEQ05G82QZLLZGJ14Z/Kayak+01.jpg Kayak Angst - Kayak Angst Aluminum plate etching Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200578660-S0DNK6MBK65YHRQ84QJO/Kayak+01sm.jpg Kayak Angst - Kayak Angst (detail) Aluminum plate etching 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200400478-DHRKEIXKEUTL59JCQBDY/Kayak+02.jpg Kayak Angst - Kayak Angst 2 Aluminum plate etching Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200579011-RVE347WQ1FC1TC90O0XD/Kayak+02sm.jpg Kayak Angst - Kayak Angst 2 (detail) Aluminum plate etching 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200408325-SSIRWKZKXUU30T7I0O6Z/Kayak+03.jpg Kayak Angst - Kayak Angst 3 Aluminum plate etching Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200579095-8O0MZI3IK61UDQWQXC5N/Kayak+03sm.jpg Kayak Angst - Kayak Angst 3 (detail) Aluminum plate etching 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200408355-YOSHI2CG5UGCIKSEIRTA/Kayak+04.jpg Kayak Angst - Kayak Angst 4 Aluminum plate drypoint Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407200806243-NFWFKH3ODLUH7VYGXGQS/Kayak+04sm.jpg Kayak Angst - Kayak Angst 4 (detail) Aluminum plate drypoint Paper size 14" x 11" 2013 Kayak Angst, a distinctive turn of phrase, is a phenomenon I first read about in Mary Roach’s book, Packing for Mars. She refers to it in the context of “space euphoria” in astronauts, “the breakaway effect” in pilots, and “rapture of the deep” in divers, which are each a version of invulnerable calm that can overcome those who wear a pressurized suit to explore an extreme, expansive environment. Kayak angst has been described among the Inuit of Greenland as a condition that overcomes hunters out on the water alone. They have the sensation that “their boat is flooding or that the front end is either sinking or rising up out of the water.” In contrast to the euphoria American astronaut Ed White experienced during his first Gemini 4 spacewalk, kayak angst seems to be more of an anxious and panicked reaction to traveling alone through the open expanse of the water. I find all of these responses extremely interesting. http://www.lindseyclarkryan.com/stampingarea daily 0.75 2024-10-06 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581769725-2RYGO36LDX1R97P5CJBA/stamps+head+on.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581769725-2RYGO36LDX1R97P5CJBA/stamps+head+on.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581771214-SYRK7I6VU28TIJK9WLTK/stamps+outside+set+up.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581762562-QQAYTAV9LCOQO1PECO9X/printeresting-stamping+area+2.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581762731-GT5PDGMTRYDVGKLIIUIZ/printeresting-stamping+area+1.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581765218-Z40RPD2XJXDQBXID493Z/stamps+ASS.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581763365-I56FWO9FCB0670D4K9ZT/stamping+area+official+business.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581764296-1B8GEE3SRV5ZLL8WHB65/stamps+%245+I%27m+Serious.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581766411-LCI8YKAE9VKZOVOV0T9P/stamps+closed+box.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581765428-R6ZLL0JY5RDM4VF1T9KY/stamps+bum+liar+snake+in+the+grass+nametag.jpg.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581765937-SJN2ON8HJP8V42N7WJQ8/stamps+closed+box2.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581769587-GSGP8YRSXFX7GM9D5H58/stamps+human+error+mustache+guy.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581767335-WWTEQU8WQNVO8ADTP6W2/stamps+closeup+2.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581771447-MKGE6CXEFLAEQ08YTMCR/stamps+passport.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581767620-C98CRA8O0FVMAPCCXD9I/stamps+closeup+3.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581768276-0H1RO1FRBQUODESLCM92/stamps+face+impostor.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581768504-3XOKMEBXF5R39ARJNANP/stamps+closeup.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581770656-ZQCVDYU3YMTOAQBQOO1W/stamps+mustache+stamping.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581770318-VBK2BZ07ZKTLGB04O1FT/stamps+mustache+ladies.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581769085-YTG7GT4Q4K5J1D9BL6SN/stamps+further+collaboration.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581771860-WGBOL9I42NCPGVI78A8Q/stamps+passport3.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581774065-0I8YIHPG57KGGM47NBYB/stamps+stamp+stamp+tramp+stamp.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581774387-CWSXGCYXW4QLIZBDIWEF/stamps+stamping+%2B+tough+shit.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581772853-XZXX1NQFYXPL9FY7J8Q8/stamps+passprt+2.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581775239-9LHCBNJVPTGB258P85TH/stamps+stamping.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408581775670-R9566E61KR8BWISX8WYM/stamps+welcome+guests.jpg Stamping Area - Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1409365575393-KGFBLVGS0SPJ7S56QMS6/LCR+Nametag.jpg Stamping Area Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1409365579165-UQOQASUX8IA7M4SELBL1/official+business.jpg Stamping Area - Official Business Official Badge Stamping Area is a project that uses a kit of 50 rubber stamps to perform an absurd exaggeration of bureaucracy and gatekeeping. The stamps are a collection of non-sequiturs: words, drawings, phrases, insults, and symbols that pretend at Official Business and provide Documentation that is both concrete and nebulous. I initially created this project for the 2011 SGCI Conference at Washington University in St. Louis. I have also provided Documentation at R. Jampol Projects, New York, NY (2014), and at The Gateway Project, Newark, NJ, as part of the Emerald City Exhibition (2014). http://www.lindseyclarkryan.com/capsule daily 0.75 2015-02-01 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846846109-3E5NQB55GIMN13WUEKAH/NEW+Precarious+Ed+White.jpg Capsule - The Precarious Ed White Dry point, lithography, collage, relief, spray paint, marker 48" x 30" 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846846109-3E5NQB55GIMN13WUEKAH/NEW+Precarious+Ed+White.jpg Capsule - The Precarious Ed White Dry point, lithography, collage, relief, spray paint, marker 48" x 30" 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846834612-FGY8CQCZOE75XXFF26CF/balloon1.jpg Capsule - Balloon Intaglio, marker 60" x 36" 2009   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846836535-70GT3YS3KJTH3SGTYEW9/full+installation.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846842068-DSXNHKBA1I2E6X248FT4/machine+under+feet.jpg Capsule - Swimming Over the Shipwreck Intaglio, spray paint, graphite 60" x 36" 2009   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846848394-AOPO3BLAEAL08QGXXIXK/swimming-gymnast-collagraph.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846848064-ZXZXBLAE2WN3N8B78DR0/swimmer+and+gymnast.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846837202-ESVZZUWTQN13EG6R2CBT/gymnast.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846836767-8BEJ5HCRBBLB7XOF6AYY/gymnast-collagraph-panel.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846836244-7DDHADNYTZG18CE7BPU7/collagraph.jpg Capsule - Untitled Collagraph, drypoint 34" x 52" 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846834853-2ER3F5DCSJK7WYZBOPBB/collagraph+detail.jpg Capsule - Untitled (detail) Collagraph, drypoint https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846835782-IEYHWHGV2KXHKAMYRPP1/collagraph-panel-machine.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846837461-OFV7Q93DDCFF3M9PS5A6/laser+in+use2.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846844501-HSS53131OC4PCYWNQRL7/meters.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846840411-6K7M3WDW5UUC53FQ9PT2/machine+and+mustaches.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1422759829603-ED7WXOB5WA8EPKJRWT3L/balloon2.jpg Capsule - Balloon 2 Intaglio, marker 40" x 30" 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846840683-DLAJSIP34OQSHOECMAJ3/machine+close+with+hand.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846847173-TMBXIMBDZZNMH7J462VJ/ready.jpg Capsule - READY https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846847237-QPSYG1Q1F5WBTPC8ETXE/pile+of+paper.jpg Capsule - Capsule 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846844426-BLXGNBCS37R6XKP1GSJM/manatee+adventure.jpg Capsule - Manatee Adventure Collagraph, lithography, marker, spray paint 58" x 35" 2009 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408846847996-J8FJTVUYTK2LV6ARFBIO/space+detail.jpg Capsule - Manatee Adventure (detail) Collagraph, spray paint http://www.lindseyclarkryan.com/dont-worry-i-am-a-scientist daily 0.75 2014-08-25 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936809382-V984P3VVMCVMX0XO5PSH/Dont+Worry+01.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936809382-V984P3VVMCVMX0XO5PSH/Dont+Worry+01.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936809256-2KQKW1NM5AFGY8GJ6Y4K/Dont+Worry+02.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936811227-AF5APXAJ8EU8YJMVBW33/Dont+Worry+03.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936811416-5HDACRT443NNWIDZY1O3/Dont+Worry+04.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936812737-ZBLOHNSKTE99GM31WQN1/Dont+Worry+05.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936814506-1PFEHOB63NU0MXGRGMOH/Dont+Worry+06.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936814811-XV53VDBYXSI0C4DY04LS/Dont+Worry+07.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936816895-SKP69GYCP15HTHDVHJVS/Dont+Worry+08.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936816777-ZPCR3MQVQWZTPSBI4G0V/Dont+Worry+09.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936818764-43LUG9YC9L4WM3DZD1HE/Dont+Worry+10.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936818989-QBD3QM8JSB9G3SR1BGJ8/Dont+Worry+12.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936820364-ON1L7CQ3DULL99YFRFWQ/Dont+Worry+13.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936820459-RWD06TC1ZJWBGNA4ADC7/Dont+Worry+14.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936821156-N4TIIKBK4OB89DP9RJYI/Dont+Worry+15.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936822184-IA0AQ4ME9G0DT5TLJGTK/Dont+Worry+16.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936822911-S0ZMYRBP055SF5QPF3LS/Dont+Worry+17.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936823709-XF2JCA19DFTK0WICHAMZ/Dont+Worry+18.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408936824262-1GY83R36PEPAJ7301VU9/Dont+Worry+19.jpg Don't worry. I am a scientist. - Don't worry. I am a scientist. For about a year and a half I had a studio in the former Physics department of Sterling Hall on the UW-Madison campus. I spent a good amount of time wandering around this semi-abandoned building, collecting interesting remnants and objects and taking pictures. The building can be a little eerie at night and melancholy during the day, especially given it's violent history, so I felt a little like a ghost. Since I once considered being a physicist, my artwork was, not surprisingly, influenced by these surroundings. Regardless of what subject was studied there, the building itself was visually fascinating. The older part of the building was built in 1915 and retained great old architectural details and fixtures. The newer part of the building, where our studios were, was built in 1955 and was funded by the Army to house the eventually controversial Army Math Research Center, while allowing space for Physics and Astronomy. It had that once-cutting-edge institutional architecture that makes you want to wear horn-rimmed glasses at your metal desk. Don't worry. I am a scientist. is the culmination of my wanderings and a love letter to Sterling Hall. It occupies one of my favorite empty labs, and aside from printing ink and a few fasteners, the installation is made entirely from objects and materials I found discarded in the building. 2008 Also: The Abandoned Chairs of Sterling Hall   http://www.lindseyclarkryan.com/the-abandoned-chairs-of-sterling-hall daily 0.75 2014-08-20 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408510149851-J86M217CZ140S5GLOW7I/title+DSC_0207.jpg The Abandoned Chairs of Sterling Hall - The Abandoned Chairs of Sterling Hall Snapshots of the many chairs left behind by the Physics Department throughout Sterling Hall on the UW-Madison campus, 2007-2008. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408510149851-J86M217CZ140S5GLOW7I/title+DSC_0207.jpg The Abandoned Chairs of Sterling Hall - The Abandoned Chairs of Sterling Hall Snapshots of the many chairs left behind by the Physics Department throughout Sterling Hall on the UW-Madison campus, 2007-2008. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511670362-5PV3B31QDIEDTIYM67PB/DSC_0279.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511657227-EM6U58TAL9WU6EQQ0MHS/DSC_0221.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511657242-JAH3VLV2PO2TJJO45BH7/DSC_0166.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511658279-ABJLSCK4TW1ZKQ3C71BL/DSC_0223.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511658303-Y9FMCT4YDGBD4BITCGJX/DSC_0299.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511694777-IVYLK8THPE094X5VA7ZS/DSC_0281.jpg The Abandoned Chairs of Sterling Hall 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https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511694050-JTZ1OZEVY08OEL5UHO5E/DSC_0308.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511694728-RXVXCFY0Y3EEPGIP435B/DSC_0226.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511695465-AGY09D72CM3CK3XI16SX/DSC_0286.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511695508-YDYRS4RFKN084O6WLOOK/DSC_0128.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511696190-MFQFAGTFNC760QG6SVLF/DSC_0139.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511696241-PUGL7K469HOB7DD1TLLN/DSC_0140.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511696905-OUJIIJQ3S7HG5I594CUD/DSC_0150.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511696934-L3OWG6L9XATD8G8XBBFH/DSC_0208.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511697577-JLIORFOE5ELWVC4WMNC6/DSC_0142.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511699233-LOIZDAQKFT902OYKW9US/DSC_0073-2.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511697591-RB147GK0I989YLOFGPKH/DSC_0143-2.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511698255-PMS9BR0OTMK4O5J6DB9Q/DSC_0132.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511698946-WUIJWJEBTH1A0NN2S12L/DSC_0122.jpg The Abandoned Chairs of Sterling Hall https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408511698815-P3I81GVW7HZORUERDTUK/DSC_0077.jpg The Abandoned Chairs of Sterling Hall http://www.lindseyclarkryan.com/false-mustache-research-center daily 0.75 2014-08-27 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507932983-A9YW8JHAL4T0DIYFIA4W/false+mustache-title+page-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507932983-A9YW8JHAL4T0DIYFIA4W/false+mustache-title+page-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507934449-TY6IYTPZZX4HG4UUGSHB/false+mustache-cruiser-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507934518-M5N5BVZ1OYPHDXLQ3ITK/false+mustache-dead+man-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress See also: The Binnewater Gang https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507935242-R691LSD5USPFDEPY2VYC/false+mustache-iron+shoe-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507935715-KTO91QNB5RH1Y7UIHCFA/false+mustache-law-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507935321-4MPQQZ9WI14X4XUO6VGM/false+mustache-kansas-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress See also: The Binnewater Gang https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507936106-JJMYUVSK1VS7Z4OA28JB/false+mustache-presumed+captain-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507932946-XRP38BU1RACC6IOU10NI/false+mustache-right+foot+ryan-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress See also: The Binnewater Gang https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507933670-6RZ1I10D262Q1ECIINZ0/false+mustache-unfortunate+resemblance-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507933735-G7DYFTU4WS00JDKESF1C/false+mustache-w.g.clark-web.jpg W.G. Clark False Mustache Research Center - A Survey of False Mustaches from the W.G. Clark False Mustache Research Center Drypoint and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408508127471-BBWZL4F65NGOHLRB1OAZ/waxed+and+dastardly.jpg W.G. Clark False Mustache Research Center - Waxed and Dastardly Drypoint 22" x 30" 2008 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507990699-1UHVOXG83Y9EZWWI1CQ4/MUSTACHIO+NUT.jpg W.G. Clark False Mustache Research Center - Mustachio Nut Relief and letterpress https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408507979884-OZTPSHNGNBXY2H124LIG/master+of+disguise+printsm.jpg W.G. Clark False Mustache Research Center - Master of Disguise Drypoint Plate size 8" x 10" http://www.lindseyclarkryan.com/robots-robots-in-disguise daily 0.75 2014-08-05 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203007623-EFFIY5OG0WYMXY1ONJG8/Robot+1of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 1/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203007623-EFFIY5OG0WYMXY1ONJG8/Robot+1of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 1/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203011165-YWZP4QKDC2Z0LLW2F4Z3/Robot+2of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 2/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203009850-R8Z95KLB3L46RU7JSJ9B/Robot+3of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 3/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203012694-T9KER3C44LV2X8R6VQG3/Robot+4of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 4/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203011708-9MXWNQMJD79NNPUKK5KR/Robot+5of5.jpg Robots / Robots in Disguise - Robot Printed from pieces of discarded furniture Varied edition, 5/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203012572-GJP9TR7CQQTLSQD80EG4/Robot+in+Disguise+1%2C2%2C3of5.jpg Robots / Robots in Disguise - Robot in Disguise Printed from pieces of discarded furniture Varied edition, 1/5, 2/5, 3/5 Intaglio and relief 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203016930-8H6C083X4TUYOZIIEV8C/Robot+In+Disguise+4of5.jpg Robots / Robots in Disguise - Robot in Disguise Printed from pieces of discarded furniture Varied edition, 4/5 Intaglio and relief with gesso 44" x 30" 2012 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407203017092-DVKFHYTZLE97RQJHI8KS/Robot+in+Disguise+5of5.jpg Robots / Robots in Disguise - Robot in Disguise Printed from pieces of discarded furniture Varied edition, 5/5 Intaglio and relief with gesso 44" x 30" 2012 http://www.lindseyclarkryan.com/blog-avenue daily 0.75 2024-10-06 http://www.lindseyclarkryan.com/blog-avenue/2016/3/1/dubai-ybxez monthly 0.5 2016-03-01 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456863401711-L4GULCMN1HZJY6XAFAQY/image-asset.jpeg Blog - Dubai http://www.lindseyclarkryan.com/blog-avenue/2016/3/1/budapest-hsakw monthly 0.5 2016-03-01 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456863715325-IZSY1YJXJS57RY8JXID7/image-asset.jpeg Blog - Budapest http://www.lindseyclarkryan.com/blog-avenue/2016/3/1/paris-zg64e monthly 0.5 2016-03-01 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456863897354-3K5CGNSC641EWCMIBK83/image-asset.jpeg Blog - Paris http://www.lindseyclarkryan.com/project daily 1.0 2025-01-25 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1533431291583-QEIZJQ30ODPF59ZQT3MY/Return-Parachute+crop.jpg Projects - Return Woodcut 48" x 34" 2017 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1406956607811-UD549Z4J4LQWAUA02XU5/Moon+Collection+12.jpg Projects - Moon Collection An ongoing artist’s book project that collects various “moons” in a ledger. These moons range from stencils and remnants from the printmaking process to shaped etching plates, transfers, and other paper interventions. 16" x 13" 2013-present (ongoing) https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1728179584909-NQ31APEAK4WF2HA4INYX/5-Fancy+Jersey.jpg Projects - Fancy Jersey at Solo(s) Project House, Newark, NJ, 2014 Rhinestones, polyester ITEMS has grown out of my practice of collecting receipts with an item description or shorthand that seems to describe something entirely different from--and far more interesting than--what I actually bought. It is now an ongoing project that involves constructing these implied objects from a variety of materials, creating an inventory of strange things I'm surprised to have purchased. They are displayed alongside a receipt printer that itemizes the objects again and acts as their only labeling information. This bookends these fantastical, actively useless objects within a mundane and utilitarian language of accounting and creates a parallel universe of things that I purchased alongside my shirts, shoes, and copy paper. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407202284949-C5HKQXHDM8X3MNQ4OKMB/01-Falcon+Heavy.jpg Projects - Falcon Heavy Etching (spitbite), latex paint, punched holes 52" x 27.5" 2013 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1436666497249-QBHVL8YSDMXAZVR0WLDE/L_Clark-Ryan_3.jpg Projects - Levity Felt 25" x 66" x 1.5" 2014 Banners for Live Art Magazine, Issue 2: Gravity, 2014. Edited by Amanda Herman. Academy of Music, Northampton, MA. These are reminiscent of commemorative banners that might hang in a gymnasium, and are some very early thinking about a future installation that conflates and confuses our proprioception and kinetic, bodily memory with our shared cultural imagination of space travel. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1407205592738-U6KR862ICVTBB6FJ2VDP/Tilt-on+scarf+2.jpg Projects - Tilt During the summer of 2013, I was a resident artist at the Elsewhere Museum and Artist Collaborative in Greensboro, NC. Elsewhere is a “living museum” set in and among the contents of a former thrift store and is an exercise in site-specificity, cultural memory, and resource management. During my five-week residency, I became interested in designing games to act as microcosms of the museum’s various functions and to give visitors new ways of physically engaging with existing objects in the collection. I designed and built three games, Tilt, Mulligan, and Kyle the Unicorn, which deal with the decision-making involved in museological practices and which explore the difference between categorization and meaning. These games will remain in the museum indefinitely, not just due to their site-specificity, but because the collection must remain intact. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1409362526089-P8E1FD1K9ZGW8RHA4PHH/Flight+of+the+Manatee.JPG Projects - Flight of the Manatee 2009 Handmade abaca paper, basket reed, string, wood https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1731466481321-7M68ICBV2I26OHYI33EA/Ladder+1.jpg Projects - Ladder 1 Assembled woodcuts on kozo 2021 https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1728182333230-BQ2KFGK3I9HFR1EYYTUS/IMG_7226+copy.jpg Projects - Fold the world in half at your eye at Proyecto 'ace, Buenos Aires, Argentina This work uses the horizon as a starting point to explore the relationship between printmaking, paper, and how we conceive of space. The horizon can be, among many other things, an easy shorthand for landscape, a charged moment of awareness during navigation, the contrast of two planes trying to coexist in our vision. I’m interested in the way my vision can become image-oriented or picture-oriented relative to the equipment and processes I have available to mediate it, e.g. phone cameras or printing presses. The shapes present throughout the prints in this installation are drawn from las tipas growing throughout Buenos Aires. The forms are defined by the edges of tall canopies exhibiting crown shyness, the gaps where the upper branches hesitate to touch. It’s evocative, partly due to the tension at the edge that seems to belie the slow, overlapping growth of the trees. As a group, these contours also imply river deltas or geographical borders, so the point of view might be looking up, down, or across. In this installation I focused on how the printmaking process—through layering, folds, and display relationships—can express both the tautness and delicacy of experience and, eventually, communication. I am always interested in the behavior of paper and its relationship to pressure, atmosphere, or gravity. Further, working with stencil and monotype on folded paper allowed for adaptation and flexibility, but required continuous diagramming and calculation that a fixed matrix would not. In this way, the tenuousness and constant reorientation was embodied in the process. https://images.squarespace-cdn.com/content/v1/53dc3f06e4b0536a495606f0/1408675523812-7TV8M9IHI5RP51GHP5I5/Launch+sign+from+left.jpg Projects - Launch 2010 "To fall is so understand the universe." -Unknown http://www.lindseyclarkryan.com/projects daily 0.75 2024-10-06 http://www.lindseyclarkryan.com/weite-avenue daily 0.75 2024-10-06 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456776979355-YQ9YQHLQLW6K5VINE0XL/1.jpg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456777021895-QDRYFVYU2XZM4KWAO3SM/image-asset.jpeg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456777149122-IIX9ZXQATUL7UZKXIIVF/image-asset.jpeg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456779193380-8UPAQITTARS6YQE2IZ07/17.jpg Weite http://www.lindseyclarkryan.com/weite-avenue-1 daily 0.75 2024-10-06 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456776979355-YQ9YQHLQLW6K5VINE0XL/1.jpg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456777021895-QDRYFVYU2XZM4KWAO3SM/image-asset.jpeg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456777149122-IIX9ZXQATUL7UZKXIIVF/image-asset.jpeg Weite https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456779193380-8UPAQITTARS6YQE2IZ07/17.jpg Weite http://www.lindseyclarkryan.com/vergnugungspark-avenue daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456869971895-A5SQFVQP8TDLHDK76R4P/11.jpg Vergnügungspark https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456869159945-TGH8G5ZO0L2KLL0HTZWF/11.jpg Vergnügungspark http://www.lindseyclarkryan.com/skyline-avenue daily 0.75 2025-05-12 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